Far Field Noise Cancelling Microphone Pre-Amp Employs Standard Op-Amp

Figure 1. Noise Cancelling Microphones Position

The microphone pre-amplifier circuit described here make the microphone sensitive to a sound come from very close source, and insensitive to any sound coming from far sources. This works even when the far sound is very loud. The main application of this circuit is in telecommunication system like in mobile phones, where the microphone should pick a clear speech even the environment is very noisy like in a night club, airport, train station, or in a rock music performance stage. Although it is applied mainly in telecommunication system, we can use this circuit in other area as well, like in speech amplification in public address or in small meeting room. In such situation, sometimes we have a problem that we can increase the volume of the amplification because feedback is running out of control with loudspeaker-microphone position limitation.

Far Field Noise Cancellation: How It Works

When a sound wave travel through a space, the amplitude is attenuated proportionally with the power of 3 of its distance. When two microphone are closely positioned, we can observe that far sound source will have relatively same distances with both microphones, will have relatively big difference in distance between the first and the second microphone.  The two microphones should have identical characteristic to get the best result. When the sound comes from far away, both microphone should produce a same waveform with the same amplitude.  This two identical signal is then subtracted to eliminate the far source signal. When applied to a close sound source, the waveform should be identical but  with very different amplitude, so the subtraction of the two signal won’t zero the signal but leave a strong signal to be picked.

Figure 2. Far Field Noise Cancelling Microphone Pre-Amp Circuit Schematic Diagram

Figure 2. Far Field Noise Cancelling Microphone Pre-Amp Circuit Schematic Diagram

The Electronic Circuit Design and The Schematic Diagram

The circuit design is very simple, it employs a standard operational LM324, which is shown in Figure 2.  The first op-amp U1A serves as a non-inverting amplifier, the second op-amp U1B serves an inverting op-amp. The third op-amp U1C serve as a mixer  and amplifier which sum up both complementing signals. Finally, the last op-amp U1D serve as a low pass filter to cut the high frequency content of the signal. The high frequency components should be removed since it can be a result of phase-shifted signal of far sound sources coming certain directions. The ideal condition, when the sound is coming from far away sources, are that the signals from the two microphone channels would be identical  but with different amplitudes, so it would be zeroed when summed up. The reality, it works ideally only on low frequency, where the wavelength is much longer than the distance of the two microphones. When the wavelength is not much larger than the microphone distance, then the phase-shift will make the signal amplitude (the instantaneous voltage level) not identical to cancel each other at some direction.

Figure 3. Assembled Far Field Noise Cancelling Microphone Pre-Amp Circuit

Figure 3. Assembled Far Field Noise Cancelling Microphone Pre-Amp Circuit

Calibration of The Circuit

To calibrate the circuit, VR1 and VR2 is provided to adjust the gain of its respected channel. Just connect the output of this circuit to a big amplifier system (with high power loud speaker), and adjust both variable resistor to produce strong output but minimize the feedback. Adjust the distance of the two microphone around 4-10cm to set the proper sensitive area of the microphone. Make sure the proper positioning between the microphone and the speaker like shown in the Figure 1.

4 Comments on Far Field Noise Cancelling Microphone Pre-Amp Employs Standard Op-Amp

  1. Dario Armellin // September 24, 2014 at 15:13 // Reply

    Hi, i would like to ask a question about your cirquit.
    I’m right now struggling with noise in motorsport environment and, but a hardly have a space to fit the 2 microphones a 10-4cm distance.
    My question is, if i put the microphonese close but faceing in different direction one towards the mounth and the other towards the ambient i should have the far fiel level still quite similar but the near field levels will be quite different and therefore i should be able to archive some noise suppression.

  2. [2016-04-09] I too want to upgrade some intercoms used in a very noisy classic Mini, I would like to use some active noise calcelling, can this be used with one microphone in the in interior trim and the other on each of the headset?

  3. [2016-04-09] As an addendum, if the “distant” microphone was placed on the headset of the other occupant would that work OR do you need the “distant” microphone not to be proximal to the person speaking or in line between them and the listener?

  4. Great circuit design idea!
    I’m a born whistler-musician, searching for a feedback reduction circuit.
    Sadly, as you mentioned, this circuit might fail to work with high frequencies or is there another simple way (like your design) of reducing feedback?
    Now I just place the whistling sound speaker about 5 meter away from my electret Mic. and control feedback with low ohm Pot in the speaker wiring, which limits the Mic. input.
    Here are some of my better recordings for you to enjoy:

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